What’s the best way to decode your emotions? Well, drawing helps.
This week we kicked off the month of drawing workshops with brain and hand warm-up. We drew abstract images for eight different words: joy, loneliness, mourning, peace, conflict, courage, fantastic, and RIGHT NOW.

These emotive marks led us into our guest artist for the month, emotive mark-maker herself: Christina Mrozik.
We crowded around the table on tip toes and chairs in amazement as Chris’s work in front of us. The room fell silent for the next hour as we drew ourselves into her work, captivated with the precision, creativity, and emotion.

Chris took a leap not all of our guest artists are brave enough to do: she not only showed us her current thought-out, polished pieces, but also how she got there — her high school and college sketchbooks, still lives, and works in progress. The room chuckled at the juxtaposition between the intricate marks and the dark imagery of her recent work, with the Sailor Moon, mermaids, and trees of her high school sketches.

As we considered her path from Sailor Moon to birds attached by the beak, pulling out sketch upon sketch, portfolio upon portfolio, she said, “one day when you’re an artist you’ll have a lot of baggage too.”
It was important for Ambrose to see that baggage — the Point A that led to Point B and even Point C. We’re all at different points in our art, and for high school students it’s significant to see a successful artist bear her Point A to the world…or at least to those of us at Ambrose.

Chris had further advice to those of us at all stages of our artistic journey:
- Keep trying new things; don’t settle too soon
- Trust yourself, you know more than you think you do
- Know that it’s not always happy and pretty
- Weed out what you don’t like (She never liked cleaning up after a project, so she chose markers)
Chris stressed that drawing is being thoughtful, and learning to see clearly and differently. She looked at her work, and found a repeating nature theme. Thus, she researched birds and different animals, and naturally applied them to themes in her life (death, struggle, symbiosis of people).

She was honest with us about the emotion behind her work — she often draws without a deeper meaning, and then realizes at the end that, for example, the birds attached at the beak function as a metaphor for the inability to detach in her own life.


We are so thankful for Chris’s honesty and openness, and showing us that you don’t get to Point B or C without the Sailor Moon, mermaid sketches happening RIGHT NOW.